Back to Fujifilm Velvia by DxO on These Strange Days & Their Strange Light.It’s a Lovely Sunny Day So The Cycle Packs Are Out In Force.Please also consider donating to our favourite charitable cause, Lefty’s Place, via PayPal.Me/leftysplace. If you wish to make a donation to support our work here at Unititled.Net then please do it via PayPal.Me/KarinGottschalk. To provide up-to-date content for you we need to keep our production hardware and software up to date. Panasonic V-Log L Function Activation Code for DMC-GH4, DC-GH5, and DMC-FZ2500 – B&H.Panasonic Lumix DC-GX9 Mirrorless Micro Four Thirds Digital Camera with 12-60mm Lens – B&H.Panasonic Lumix DC-GH5S Mirrorless Micro Four Thirds Digital Camera – B&H.Panasonic Lumix DC-GH5 Mirrorless Micro Four Thirds Digital Camera – B&H.Panasonic Battery Grip for Lumix GH3 and GH4 Digital Cameras – B&H.DFS even makes your Android videos look like film!”Ĭlicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’. DFS comes in both REC.709 and LOG video formats and all SpeedLooks camera patches work with today’s most popular digital cinema and mirrorless cameras. The DFS bundle includes 19 LUTs that perfectly emulate the most popular Kodak and Fuji film stocks. LookLabs – Digital Film Stock aka DFS – “DFS instantly gives you the natural look of film and the most flexible set of LUTs on the market.Leeming LUT Pro – “Leeming LUT Pro™ is the world’s first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading.”.LookLabs Digital Film Stock Kodak 5218 film simulation LUT added to Leeming LUT One 801 applied to Cinelike D video footage straight out of Panasonic Lumix DMC-GX8. Skin tones in mixed available light with Leeming LUT One 801 and LookLabs’ Digital Film Stock Fujifilm Eterna 500T In all the following examples, I graded quickly and minimally to simulate the look and feel of the subject at the moment I shot it, to be as realistic as video permits. Many independent moviemakers shoot video for the same project on several cameras including within multi-camera interview set-ups, and Leeming LUT One is invaluable in reducing time in the colour grading suite matching footage from all those different cameras, especially when exposed according to the principles of ETTR aka expose-to-the-right. Recently I put Leeming LUT One 801 to the test with Cinelike D footage from my Panasonic Lumix DMC-GX8 camera, the one that goes with me almost everywhere everyday, and the results were, as usual, impressive.īetter yet, correcting footage with Leeming LUT One then adding film simulation or creative looks LUTs produces rich grading with a lush and easy-to-grade tonal range. I haven't tested it but I'm pretty sure that the dynamic range of Vlog and HLG is exactly the same.Panasonic DC-GH5S with DMW-BGGH5 battery grip and Panasonic Leica DG Vario-Elmarit 12-60mm f/2.8-4.0 Aspheric Power OIS zoom lens. you could compress the entire dynamic range to 8 bits if you wanted (not that it would grade nicely later). It is indeed 10bit but this is to store colour information in the file and has nothing to do with the dynamic range. It is useful to buy the vlog key to unlock the waveform monitor so you can use incident metering however the screen is tiny In practical terms the 150mbps codec of the G9 doesn’t have enough steam to really give vlog a significant edgeĬinelikeD on the other hand does not require luts and looks decent albeit warm out of the box and does manage pretty well highlights VLOG is different as it has the same middle grey and compresses the whole range so it gives you different results still requiring a LUT but at least you can monitor with a standard screen You would see some differences in the highlights if you kept it as HLG but if you conform it at the end is just a headache is harder to monitor and edit and ultimately not worth it It doesn’t capture any greater dynamic range because the camera readout in video is 10 bits not 12 and once you apply a LUT you compress it into a space that is limited to less than 10 stops anyway If you do not have Vlog then HLG is the next best thing you can use on your camera. Plus it looks much better in the viewfinder than cineLikeD. You can use a much better h265 codec to have smaller files and it is future proof for one day when we all have HDR TVs. It gives you a much wider colour gamut that allows more freedom in grading. HLG captures a greater dynamic range and grades easily and beautifully (it is 10 bit!). I don't fully understand why anyone would recommend using cineLikeD over HLG.
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